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Sidewalks of New York

Sidewalks of New York

Comedy · Drama · Romance · 2001

The film follows the marital and dating lives of three men and three women who unknowingly form a tangled web of relationships. Interspersing "man on the street" interviews with scenes from the six characters' lives, the film weaves a humorous and biting commentary on the game of love -- easy to start, hard to finish.

Movie details

Sidewalks of New York

“In a city of 8 million people, what are the odds the perfect two will meet?”

2001 Comedy · Drama · Romance 1h 47m

Critical arithmetic

One number, for now.

TMDB

6.0 / 10

Community rating

The film follows the marital and dating lives of three men and three women who unknowingly form a tangled web of relationships. Interspersing "man on the street" interviews with scenes from the six characters' lives, the film weaves a humorous and biting commentary on the game of love -- easy to start, hard to finish.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Sidewalks of New York?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Edward Burns

Written by

Edward Burns

Edward Burns

Edward Burns

Tommy

Heather Graham

Heather Graham

Annie

Rosario Dawson

Rosario Dawson

Maria

Dennis Farina

Dennis Farina

Carpo

Brittany Murphy

Brittany Murphy

Ashley

David Krumholtz

David Krumholtz

Ben

Stanley Tucci

Stanley Tucci

Griffin

Court is in session

Put Sidewalks of New York on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.