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Cosi

Cosi

Comedy · Drama · Romance · 1996

Lewis, a young amateur theater director, is offered a job with a governmental program for the rehabilitation of mentally ill patients in a Sydney institution. His project is overrun by one of the patients, who wants to stage the opera Cosi Fan Tutte by Mozart, despite the fact that none of the patients can sing or speak Italian. A comedy of errors ensues, but one which unifies the patients and their director in unexpected ways.

Movie details

Cosi

“When chasing your dreams... it helps to be a little crazy!”

1996 Comedy · Drama · Romance 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Lewis, a young amateur theater director, is offered a job with a governmental program for the rehabilitation of mentally ill patients in a Sydney institution. His project is overrun by one of the patients, who wants to stage the opera Cosi Fan Tutte by Mozart, despite the fact that none of the patients can sing or speak Italian. A comedy of errors ensues, but one which unifies the patients and their director in unexpected ways.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Cosi?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Mark Joffe

Written by

Louis Nowra

Ben Mendelsohn

Ben Mendelsohn

Lewis

Barry Otto

Barry Otto

Roy

Toni Collette

Toni Collette

Julie

Rachel Griffiths

Rachel Griffiths

Lucy

Aden Young

Aden Young

Nick

Colin Friels

Colin Friels

Errol

Jacki Weaver

Jacki Weaver

Cherry

Court is in session

Put Cosi on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.