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Ashby

Ashby

Drama · Romance · Comedy · 2015

When new kid in town Ed Wallis is given an assignment to interview an older person, he turns to his mysterious neighbor, Ashby Holt for help. That new connection leads to unexpected journeys for both of them, as Ashby – who turns out to be a retired CIA assassin – deals with a terminal prognosis, and Ed deals with adjusting to life with his newly single mom and developing relationship with a brainy classmate, Eloise.

Movie details

Ashby

“Life is about knowing how to take a hit.”

2015 Drama · Romance · Comedy 1h 42m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

When new kid in town Ed Wallis is given an assignment to interview an older person, he turns to his mysterious neighbor, Ashby Holt for help. That new connection leads to unexpected journeys for both of them, as Ashby – who turns out to be a retired CIA assassin – deals with a terminal prognosis, and Ed deals with adjusting to life with his newly single mom and developing relationship with a brainy classmate, Eloise.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Ashby?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Tony McNamara

Written by

Tony McNamara

Mickey Rourke

Mickey Rourke

Ashby Holt

Nat Wolff

Nat Wolff

Ed Wallis

Emma Roberts

Emma Roberts

Eloise

Sarah Silverman

Sarah Silverman

June Wallis

Adam Aalderks

Adam Aalderks

Valchek

Seth Dousman

Seth Dousman

Garry Smits

Kevin Dunn

Kevin Dunn

Coach Bruton

Court is in session

Put Ashby on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.