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Daddy Long Legs

Daddy Long Legs

Romance · 1955

Wealthy American, Jervis Pendleton has a chance encounter at a French orphanage with a cheerful 18-year-old resident, and anonymously pays for her education at a New England college. She writes letters to her mysterious benefactor regularly, but he never writes back. Several years later, he visits her at school, while still concealing his identity, and—despite their large age difference—they soon fall in love.

Movie details

Daddy Long Legs

1955 Romance 2h 6m

Critical arithmetic

One number, for now.

TMDB

6.4 / 10

Community rating

Wealthy American, Jervis Pendleton has a chance encounter at a French orphanage with a cheerful 18-year-old resident, and anonymously pays for her education at a New England college. She writes letters to her mysterious benefactor regularly, but he never writes back. Several years later, he visits her at school, while still concealing his identity, and—despite their large age difference—they soon fall in love.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Daddy Long Legs?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Jean Negulesco

Written by

Phoebe Ephron · Henry Ephron

Fred Astaire

Fred Astaire

Jervis Pendleton III

Leslie Caron

Leslie Caron

Julie Andre

Terry Moore

Terry Moore

Linda Pendleton

Thelma Ritter

Thelma Ritter

Alicia Pritchard

Fred Clark

Fred Clark

Griggs

Charlotte Austin

Charlotte Austin

Sally McBride

Larry Keating

Larry Keating

Alexander Williamson

Court is in session

Put Daddy Long Legs on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.