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Funny Ha Ha

Funny Ha Ha

Drama · Comedy · Romance · 2003

Unsure of what to do next, 23-year-old Marnie tries her best to navigate life after college. Still partying like there's no tomorrow, Marnie drags herself out of bed for her miserable temp job and can't decide whether she's wasting her time going after best buddy Alex, who doesn't seem to be interested.

Movie details

Funny Ha Ha

2003 Drama · Comedy · Romance 1h 30m

Critical arithmetic

One number, for now.

TMDB

6.2 / 10

Community rating

Unsure of what to do next, 23-year-old Marnie tries her best to navigate life after college. Still partying like there's no tomorrow, Marnie drags herself out of bed for her miserable temp job and can't decide whether she's wasting her time going after best buddy Alex, who doesn't seem to be interested.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Funny Ha Ha?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Andrew Bujalski

Written by

Andrew Bujalski

Kate Dollenmayer

Kate Dollenmayer

Marnie

M

Mark Herlehy

Grady (tattoo artist)

Christian Rudder

Christian Rudder

Alex

J

Jennifer L. Schaper

Rachel

M

Myles Paige

Dave

Marshall Lewy

Marshall Lewy

Wyatt

Andrew Bujalski

Andrew Bujalski

Mitchell

Court is in session

Put Funny Ha Ha on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.