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We Go On

We Go On

Horror · Thriller · Drama · 2016

Paralyzed by his fear of dying, Miles Grissom takes out an advert offering $30,000 in reward money to the first person who can show him evidence of an angel, a demon, or prove that ghosts exist - anything to prove to him that we go on after our deaths. He narrows the responses down to three viable candidates - a scientist, a medium, and a worldly entrepreneur. Along with his protective mother, he embarks on an adventure through Los Angeles that will spiral into an unthinkable nightmare.

Movie details

We Go On

“Some doors should never be opened.”

2016 Horror · Thriller · Drama 1h 29m

Critical arithmetic

One number, for now.

TMDB

5.8 / 10

Community rating

Paralyzed by his fear of dying, Miles Grissom takes out an advert offering $30,000 in reward money to the first person who can show him evidence of an angel, a demon, or prove that ghosts exist - anything to prove to him that we go on after our deaths. He narrows the responses down to three viable candidates - a scientist, a medium, and a worldly entrepreneur. Along with his protective mother, he embarks on an adventure through Los Angeles that will spiral into an unthinkable nightmare.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over We Go On?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Boom!

Boom!

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The Witches

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Night Watch

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Circle

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In a massive, mysterious chamber, fifty strangers awaken to find themselves trapped with no memory of how they got there. Organized in an inward-facing circle and unable to move, they quickly learn that every two minutes, one of them must die…executed by a strange device in the center of the room.

Night of Dark Shadows

Night of Dark Shadows

Drama · 1971

Recently married, Quentin and Tracy Collins have just moved into Collinwood, a New England estate that has long been in the Collins family and which Quentin has just inherited. They soon find themselves plagued by spirits of past residents.

Fear in the Night

Fear in the Night

Mystery · 1972

It took Peggy Heller a long time to recover from the trauma of a brutal physical assault, suffered in her youth. When she married Robert, he provided her with the love and reassurance she craved for and the two settled down in a pretty house in the grounds of the public school where Robert was a master. But the headmaster of the school is not what he seems and Peggy is convinced he means to harm her - is her fear a figment of her tortured imagination or are there forces at work that intend to manipulate her anxieties with fatal consequences?

The Car

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The Caveman's Valentine

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The Mothman Prophecies

The Mothman Prophecies

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Mr. Harrigan's Phone

Mr. Harrigan's Phone

Drama · 2022

Craig, a young boy living in a small town befriends an older, reclusive billionaire, Mr. Harrigan. The two form a bond over books and an iPhone, but when the man passes away the boy discovers that not everything dead is gone.

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Names above the title

The people responsible.

Directed by

Andy Mitton · Jesse Holland

Written by

Jesse Holland · Andy Mitton

Clark Freeman

Clark Freeman

Miles

Jay Dunn

Jay Dunn

Nelson

John Glover

John Glover

Dr. Ellison

Laura Heisler

Laura Heisler

Alice

Annette O'Toole

Annette O'Toole

Charlotte

Giovanna Zacarías

Giovanna Zacarías

Josephina

David Bickford

David Bickford

TV Spokesman

Court is in session

Put We Go On on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Popcorn Loyalist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.