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Cyrus

Cyrus

Comedy · Drama · Romance · 2010

With John's social life at a standstill and his ex-wife about to get remarried, a down on his luck divorcée finally meets the woman of his dreams, only to discover she has another man in her life - her son. Before long, the two are locked in a battle of wits for the woman they both love-and it appears only one man can be left standing when it's over.

Movie details

Cyrus

“John met the woman of his dreams. Then he met her son...”

2010 Comedy · Drama · Romance 1h 31m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

With John's social life at a standstill and his ex-wife about to get remarried, a down on his luck divorcée finally meets the woman of his dreams, only to discover she has another man in her life - her son. Before long, the two are locked in a battle of wits for the woman they both love-and it appears only one man can be left standing when it's over.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Cyrus?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Where it lives

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Names above the title

The people responsible.

Directed by

Mark Duplass · Jay Duplass

Written by

Mark Duplass · Jay Duplass

John C. Reilly

John C. Reilly

John Kilpatrick

Jonah Hill

Jonah Hill

Cyrus Fawcett

Marisa Tomei

Marisa Tomei

Molly Fawcett

Catherine Keener

Catherine Keener

Jamie

Matt Walsh

Matt Walsh

Tim

Kathy Ann Wittes

Kathy Ann Wittes

Ashley

Diane Mizota

Diane Mizota

Thermostat Girl

Court is in session

Put Cyrus on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.