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Still Breathing

Still Breathing

Comedy · Drama · Romance · 1997

Two lost souls: she a con-artist in L.A.; he a puppeteer in San Antonio have the same dream linking each with the other. He travels to L.A. to find this woman he has become obsessed with. She resists, afraid of his kooky ideas until she travels with him to San Antonio and meets his wise grandmother. Story of two disparate people linked by "fate" gets increasingly interesting as it rolls along.

Movie details

Still Breathing

“True love, midnight visions and stacking rocks. OR The love of a lifetime can begin with a dream”

1997 Comedy · Drama · Romance 1h 49m

Critical arithmetic

One number, for now.

TMDB

6.5 / 10

Community rating

Two lost souls: she a con-artist in L.A.; he a puppeteer in San Antonio have the same dream linking each with the other. He travels to L.A. to find this woman he has become obsessed with. She resists, afraid of his kooky ideas until she travels with him to San Antonio and meets his wise grandmother. Story of two disparate people linked by "fate" gets increasingly interesting as it rolls along.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Still Breathing?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

James F. Robinson

Written by

James F. Robinson

Brendan Fraser

Brendan Fraser

Fletcher McBracken

Joanna Going

Joanna Going

Rosalyn Willoughby

Ann Magnuson

Ann Magnuson

Elaine

Celeste Holm

Celeste Holm

Ida

Lou Rawls

Lou Rawls

The Tree Man

S

Steven Lambert

Man in Alley

Toby Huss

Toby Huss

Cameron

Court is in session

Put Still Breathing on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Sentimental Softie

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Cool Ironist

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.