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Azor

Azor

Drama · Thriller · 2021

Yvan De Wiel, a private banker from Geneva, is going to Argentina in the midst of a dictatorship to replace his partner, the object of the most worrying rumors, who disappeared overnight. Between hushed lounges, swimming pools, and gardens under surveillance, a remote duel takes place between two bankers who, despite different methods, are the accomplices of a discreet and merciless form of colonization.

Movie details

Azor

2021 Drama · Thriller 1h 40m

Critical arithmetic

One number, for now.

TMDB

6.3 / 10

Community rating

Yvan De Wiel, a private banker from Geneva, is going to Argentina in the midst of a dictatorship to replace his partner, the object of the most worrying rumors, who disappeared overnight. Between hushed lounges, swimming pools, and gardens under surveillance, a remote duel takes place between two bankers who, despite different methods, are the accomplices of a discreet and merciless form of colonization.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Azor?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Andreas Fontana

Written by

Mariano Llinás · Andreas Fontana

Fabrizio Rongione

Fabrizio Rongione

Yvan De Wiel

Stéphanie Cléau

Stéphanie Cléau

Inès de Wiel

C

Carmen Iriondo

Lacrosteguy Widow

J

Juan Trench

Augusto Padel-Camón

I

Ignacio Vila

Anibal Farrell

P

Pablo Torre Nilson

Mgr Tatoski

Juan Pablo Geretto

Juan Pablo Geretto

Dekerman

Court is in session

Put Azor on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Ambition earns the room.”

The film reaches for consequence and scale, accepting the risk of seriousness instead of shrinking from it.

The prosecution The Popcorn Loyalist

“Importance has entered the chat.”

The production keeps announcing its significance, as though awards-season posture were proof of insight.