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The Tall Man

The Tall Man

Horror · Mystery · Thriller · 2012

When her child goes missing, a mother looks to unravel the legend of the Tall Man, an entity who allegedly abducts children.

Movie details

The Tall Man

“Fear takes a new shape”

2012 Horror · Mystery · Thriller 1h 46m

Critical arithmetic

One number, for now.

TMDB

6.1 / 10

Community rating

When her child goes missing, a mother looks to unravel the legend of the Tall Man, an entity who allegedly abducts children.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over The Tall Man?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Raising Cain

Raising Cain

Horror · 1992

Child psychologist Carter Nix is a loving and caring family man, but under this appearance lies a dark and troubled past. Grappling with the consequences of this past on his own psyche and the influence of his returning father and violent brother Cain, Carter becomes involved in a series of murders and kidnappings. Meanwhile, his wife Jenny rekindles an old love affair, placing herself in the crosshairs of her increasingly unstable husband.

Where it lives

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Names above the title

The people responsible.

Directed by

Pascal Laugier

Written by

Pascal Laugier

Jessica Biel

Jessica Biel

Julia Denning

Jodelle Ferland

Jodelle Ferland

Jenny

Stephen McHattie

Stephen McHattie

Lt Dodd

William B. Davis

William B. Davis

Sheriff Chestnut

Samantha Ferris

Samantha Ferris

Tracy

Colleen Wheeler

Colleen Wheeler

Mrs. Johnson

Eve Harlow

Eve Harlow

Christine

Court is in session

Put The Tall Man on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.