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Serial (Bad) Weddings

Serial (Bad) Weddings

Comedy · 2014

A catholic French couple sees their life upside down when their four daughters get married to men of different religion and origins.

Movie details

Serial (Bad) Weddings

“4 marriages, 2 long-faces”

2014 Comedy 1h 34m

Critical arithmetic

The consensus, allegedly.

IMDb

7.0 / 10

47.9K votes

TMDB

6.7 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

A catholic French couple sees their life upside down when their four daughters get married to men of different religion and origins.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over Serial (Bad) Weddings?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

Lola and Her Brothers

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Serial (Bad) Weddings 2

Serial (Bad) Weddings 2

Comedy · 2019

Claude and Marie Verneuil face a new crisis. The four spouses of their daughters, David, Rachid, Chao and Charles decided to leave France for various reasons. Here they are imagining their lives elsewhere.

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Names above the title

The people responsible.

Directed by

Philippe de Chauveron

Written by

Guy Laurent · Philippe de Chauveron

Christian Clavier

Christian Clavier

Claude Verneuil

Chantal Lauby

Chantal Lauby

Marie Verneuil

Ary Abittan

Ary Abittan

David Benichou

Medi Sadoun

Medi Sadoun

Rachid Benassem

Frédéric Chau

Frédéric Chau

Chao Ling

Noom Diawara

Noom Diawara

Charles Koffi

Frédérique Bel

Frédérique Bel

Isabelle Verneuil

Court is in session

Put Serial (Bad) Weddings on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Arthouse Gremlin

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Cool Ironist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.