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He Even Has Your Eyes

He Even Has Your Eyes

Comedy · 2017

Paul is married to Sali. Everything would be fine if they could get a child. Until the day when Sali receives the call that they have been waiting for so long: their adoption file is approved. He is adorable, he is 6 months old, his name is Benjamin. He is blond with blue eyes and white. They - are black.

Movie details

He Even Has Your Eyes

2017 Comedy 1h 35m

Critical arithmetic

The consensus, allegedly.

IMDb

6.2 / 10

3.3K votes

TMDB

6.0 / 10

Community rating

External scores via OMDb · CC BY-NC 4.0. Values normalized for display; availability varies by title.

Paul is married to Sali. Everything would be fine if they could get a child. Until the day when Sali receives the call that they have been waiting for so long: their adoption file is approved. He is adorable, he is 6 months old, his name is Benjamin. He is blond with blue eyes and white. They - are black.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over He Even Has Your Eyes?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Lucien Jean-Baptiste

Written by

Marie-Françoise Colombani · Sébastien Mounier · Lucien Jean-Baptiste

Lucien Jean-Baptiste

Lucien Jean-Baptiste

Paul Aloka

Aïssa Maïga

Aïssa Maïga

Salimata 'Sali' Aloka

Zabou Breitman

Zabou Breitman

Claire Mallet

Vincent Elbaz

Vincent Elbaz

Manu

Michel Jonasz

Michel Jonasz

Charles Vidal

Marie-Philomène Nga

Marie-Philomène Nga

Mamita, Sali's mother

Bass Dhem

Bass Dhem

Ousmane, Sali's father

Court is in session

Put He Even Has Your Eyes on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Adrenaline Seeker

“Its refusal to behave is the point.”

The strange choices create the kind of friction that follows you out of the theatre and into the argument.

The prosecution The Prestige Tourist

“Oddness is not depth.”

A film can break every rule and still leave nothing behind but the memory of how hard it tried to be singular.