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All Things Valentine

All Things Valentine

Romance · Comedy · TV Movie · 2016

Avery, a blogger with a string of disappointing Valentine’s Days, is ready to give up on love when she meets handsome veterinarian Brenden. When Avery finds out Brenden blames his recent break up on her blog and is the one leaving her angry comments, she begins to question whether the bond they’ve began to build is a true love story or yesterday’s news.

Movie details

All Things Valentine

“All you need is love.”

2016 Romance · Comedy · TV Movie 1h 25m

Critical arithmetic

One number, for now.

TMDB

5.9 / 10

Community rating

Avery, a blogger with a string of disappointing Valentine’s Days, is ready to give up on love when she meets handsome veterinarian Brenden. When Avery finds out Brenden blames his recent break up on her blog and is the one leaving her angry comments, she begins to question whether the bond they’ve began to build is a true love story or yesterday’s news.

CriticWise case file

What this film says about your taste.

Not a recommendation score. A measure of how closely the film’s taste signals resemble yours.

The archetype split

Who fights over All Things Valentine?

The split comes from the same five-axis model used by the test, not audience ratings or review sentiment.

Taste neighbourhood

Nearby on the taste map.

TMDB supplies the candidates. CriticWise reorders them by craft, strangeness, prestige, emotion, and pace.

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Names above the title

The people responsible.

Directed by

Gary Harvey

Written by

J.B. White

Sarah Rafferty

Sarah Rafferty

Avery Parker

Sam Page

Sam Page

Brendan Bates

Jeremy Guilbaut

Jeremy Guilbaut

Kit

Heather Doerksen

Heather Doerksen

Hannah

Kimberley Sustad

Kimberley Sustad

McKenna

Brenda Crichlow

Brenda Crichlow

Lauren Post

Daryl Shuttleworth

Daryl Shuttleworth

Jim

Court is in session

Put All Things Valentine on trial.

Two incompatible taste archetypes. One film. Read the arguments, then issue a completely binding cultural ruling.

The defence The Popcorn Loyalist

“Sincerity is not manipulation.”

The film risks embarrassment to make emotion communal, and that openness is harder than fashionable detachment.

The prosecution The Big-Idea Head

“The strings are showing.”

Every cue tells you exactly what to feel and when, leaving sentiment to do the work character should have done.